England, c. 1100: Disputatio of St Anselm of Canterbury, pen and brown ink and opaque paint, on parchment. 18,2 x 12,4 cm. Old holdings, WRM H 147
Meister of the Lyversberg Passion (active in Cologne c. 1460 – c. 1490): Christ on the Cross between the Virgin and St John, c. 1460, opaque paints anf gold, on parchment, 28.9 x 20.1 cm. Acquired in 1933 as a gift from Kunsthandlung Malmedé, WRM M 79a
Lombard Master, c 1500: Lion and Bear, pen and brown ink, watercolour and tempera on parchment, 14.5 x 19 cm. Old holdings, WRM Z 1989
Master of the St Bartholomew Altarpiece and‘Master of Margriet Uutenham: John the Baptist with Reynalt von Homoet, from the Book of Hours of Sophia van Bylant, 1475 (?), opaque paints with gold on parchment, 23.3 x 16.6 cm. Acquired in 1960 with the help of donations by the Federal Government, the state of North Rhine Westphalia, the Landschaftsverband and 132 businesses, banks and insurance companies, WRM 1961/32
Albrecht Dürer (Nuremberg 1471–1528 Nuremberg): The Four Horsemen of the Apocalypse, c. 1500, woodcut on vergé paper, 39.2 x 28.2 cm. Old holdings, WRM 25371
Augsburg Master, c. 1520–30: Portrait of a Man, charcoal, coloured chalk on primed vergé paper, 6.3 x 20.2 cm. Old holdings, WRM Z 132
Baccio Bandinelli (Florence 1493–1560 Florence): Study of a Young Boy wiuth Drinking Vessel, c. 1530–40, red chalk on vergé paper, 40.2 x 28.6 cm. Old holdings, WRM Z 3450
Hendrick Goltzius (Mühlbrecht near Venlo 1558–1617 Haarlem): Head of an Old Man, 1593, black chalk, highlights in white, on vergé paper, 34.7 x 27.8 cm. Acquired in 1959 as a gift of the Freunde des Wallraf-Richartz-Museums e.V., WRM 1959/96
Lambert Doomer (Amsterdam 1624–1700 Amsterdam): Cologne Cathedral, seventeenth century, pen and brown ink, blue-grey and brown wash, on vergé paper, 23.8 x 41.2 cm. Acquired in 1958 as a gift of the Freunde des Wallraf-Richartz-Museums e.V., WRM 1958/2
Johann Anton de Peters (Cologne 1725–1795 Cologne): Portrait of a Lady with Book, pastel and watercolour on vergé paper, 30.8 x 22.8 cm. Old holdings (estate of J. A. de Peters), WRM Z 445
Jean-Honoré Fragonard (Grasse 1732–1806 Paris): The Pretty Cook, red chalk on vergé paper, 33.5 x 24.6 cm. Acquired in 1944, WRM 1944/6
Phillip Otto Runge (Wolgast 1777–1810 Hamburg): The Genies on the Light Lily, pencil, black, red and white chalk on vergé paper, 57 x 40.9 cm. Acquired in 1937, WRM 1937/9
Jean-August-Dominique Ingres (Montauban 1780–1867 Paris): Studies for the Figure of a Lictor, black chalk, squaring in pencil, on vergé paper, 56.5 x 39.4 cm. Acquired in 1944, WRM 1944/13
Ernst Ferdinand Oehme (Dresden 1797–1855 Dresden): Naudersberg Castle in Tyrol, watercolour over pencil and ink on vergé paper, 23.6 x 33.5 cm. Acquired in 1933, WRM 1933/35?
Vincenz Statz (Cologne 1819–1898 Cologne): Vision of the Completed Spires of Cologne Cathedral (It will be finished!), watercolour over pencil, on vergé paper, 65.5 x 48.8 cm. Old holdings, WRM Z 1704
Auguste Rodin (Paris 1840–1917 Meudon): Dancing Girl, pencil with watercolour, on vergé paper, 32.8 x 19.1 cm. Acquired in 1958, WRM 1958/61.
Wilhelm Leibl (Cologne 1844–1900 Würzburg): The Girl with the Velvet Cap (‘Die Wabn’), charcoal on vergé paper, 61.2 x 44.7 cm. Acquired in 1911, WRM 1925/271
Max Liebermann (Berlin 1847–1935 Berlin): Avenue in Sakrow, Pastel on vergé paper, 23.4 x 30.0 cm. Acquired in 1929, WRM 1929/19
Lovis Corinth (Tapiau (now Gvardeysk) 1858–1925 Zandvoort): Portrait of a Lady (Charlotte Berend-Corinth), pencil and coloured pencils on rag board, 45.8 x 37.8 cm. Acquired in 1946 as a gift from Dr Haubrich, WRM 1950/46
James Ensor (Ostend 1860–1949 Ostend): The Cathedral, etching on Japan paper, 39.9 cm x 28.4 cm. Acquired in 1913, WRM 1913/173